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Nikkor 80–200mm AF f/2.8D ED Review
Nikkor 80–200mm AF f/2.8D ED Review

The Legendary Nikon SP
The Legendary Nikon SP

Nikkor 80–200mm AF f/2.8D ED Review
Nikkor 80–200mm AF f/2.8D ED Review

Nikon J1 Review
Nikon J1 Review

Roller Derby
Roller Derby



Tai Shimizu is owner of Stormy Imaging and author of the iPad/iPhone photo editing App Filterstorm, the drawing app Inkist, and the Mac HDR app Light Compressor

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In Black and in White

tai | 2009-09-02 09:28:16
Comments (0) | Tiny link

Black and White film seems to have survived the digital era better than color print or slide. I imagine the image quality of B&W negatives that gives it its staying power has something to do with the logarithmic nature of film exposure combined with the high dynamic range possible vs. color print and slides (and digital, too). In any case, it’s not going away any time soon, especially not for medium format artistic photographers.

These photos are 35mm on Kodak TMax 400, scanned off my Plustek OpticFilm 7500i

Rocka
http:  taishimizu.com pictures 2009 Kodak TMax 400 rocka candy thumb.jpg

I haven’t yet had time to clean up these scanned images, so there’s scratches and dust all over the place. Normally I use the scanner’s dust-reduction mode to get rid of it, but it misidentifies dust on many B&W negatives for some reason.

http:  taishimizu.com pictures 2009 Kodak TMax 400 over the cube wall thumb.jpg

Though film grain is much more prevalent than noise in digital cameras, I think it has a nicer feeling to it, perhaps because it seems more randomized in pattern.

http:  taishimizu.com pictures 2009 Kodak TMax 400 kodak tmax 400 plustek 7500i 3 thumb.jpg

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